BLOOMLINE 修正カット 元↔最新 比較

Part A, the wheels. The wheels grind against the ground, and the friction throws off
a shower of small flat marks of paint.
Every mark is born at the small point where a wheel touches the ground.
A burst of six to ten marks is born at that point on every frame.
The marks fly backwards and slightly upwards, and they spread apart into a wide fan
behind the board.
The marks in the fan leave at different angles, so the fan opens as it goes back.
Every mark travels fast. In two or three frames a mark crosses a distance about as long
as the board.
Every mark is in a new place on every frame, and the gap it leaves behind it is empty.
Every mark rises a little, slows at the top of its arc, and then falls back towards the ground.
Some of the marks hit the ground, bounce off it once, and fly on.
Every mark is small and short, about one third the length of the board.
A mark is stretched into a thin dash while it is moving fast, and it draws up into a
round blob as it slows.
Every mark lives about six frames, then it is gone.
Every mark is a flat opaque graphic mark with clean hard edges, made of the same material
as the rest of the effect layer.
Every mark is matte and evenly filled, and it sits in front of the footage as part of the
same flat graphic layer.
The marks carry the same colours as the rest of the effect: pink, yellow, teal, black and white.
There is bare ground between the marks, and the ground shows through.
The marks look like the paint in @image1.

The shower grows while she rides.
In the first second the shower is thin and the marks stay close to the wheels.
In the second second there are more marks and they fly further back.
In the third second the shower is at its fullest and reaches back across the floor.

Part A, the wheels. While the girl is riding on the course, short flat strokes of paint
shoot out from her four wheels.
Each stroke is a flat opaque graphic mark with clean hard edges, made of the same
material as the rest of the effect layer.
Each stroke is matte and evenly filled, and it sits in front of the footage as part of
the same flat graphic layer.
Each stroke is a short comma shape that stretches, thins out and vanishes within about
half a second.
The strokes leave the wheels and travel backwards, away from the direction she is moving.
The strokes stay low and close to the ground, behind the board.
The strokes carry the same colours as the rest of the effect: pink, yellow, teal, black
and white.
The strokes look like the marks in @image1.